StewartConn by scottishbookawards

The waif-like figure peering from Bonnard’s “The Breakfast Room” instils a sense of mystery and marginality in the title poem of Stewart Conn’s The Breakfast Room (Bloodaxe). Among other portents of transience in his latest collection are two briefly glimpsed duck shooters. Responses to music, tinged with warmth and humour, highlight the redeeming power of art. The book concludes with a group of love poems imbued with tenderness and a treasuring of the here and now.

 

 

Stewart Conn: The Breakfast Room from Neil Astley on Vimeo.

 

Extract

Carpe Diem

From my study window
I see you
below in the garden, a hand
here pruning,
or leaning across to snip
a wayward shoot,

a daub of powder-blue in a
profusion of  green;
then next moment, you are
no longer there –
only to reappear, this time
perfectly framed

in dappling sunlight, with
an armful of ivy
you’ve trimmed, topped by
hyacinth blooms,
fragrant survivors of last
night’s frost.

And my heart misses a beat
at love for you,
knowing a time will come
when you are
no longer there, nor I here
to watch you

on a day of such simplicity.
Meantime let us
make sure we clasp each
shared moment
in cupped hands, like water
we dare not spill.

Reviews

“Characteristically restrained, subtly lyrical and filled with gentle humour … a beautiful and moving collection.”  — The Sunday Herald

“[Conn] writes particularly well about music, pondering the fragility of special things – a camellia house demolished on St Valentine’s Day, a flowering cherry salvaged – and the transience of ordinary pleasures. — Times Literary Supplement

The Breakfast Room is a quiet triumph of poetic elegance and wisdom undercut by wryness with the lightest of touches.” — The Orcadian

Links

Read a piece Stewart wrote exclusively for Scottish Book Awards.

Visit Stewart Conn’s website

Read an interview by Roddy Lumsden

 

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